Caroline Wiess Law Building Films Week of Tuesday, July 5, 2022-Monday, July 11, 2022
Multiplicity: Blackness in Contemporary American Collage Through May 12, 2024
The first major museum exhibition on this subject, Multiplicity explores the breadth and complexity of Black identity and experiences in the United States through collage and collage-informed works.
28 Mar Thu / 2024
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The Artist’s Daughter, Oil on Canvas
5 p.m.—6 p.m.A visit to her estranged father’s exhibition of self-portraits renews the filmmaker’s relationship with him, but not the way she expected.
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Martha Liebermann: A Stolen Life (Martha Liebermann – Ein gestohlenes Leben)
7:30 p.m.—9 p.m.An upper-class widow in Berlin could never have imagined having to leave her beloved homeland at the age of 85. As a German Jew in 1943, however, her only choice is to go abroad or wait to be deported to a concentration camp.
29 Mar Fri / 2024
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Amélie (Le fabuleux destin d’Amélie Poulain)
7 p.m.—9 p.m.In one of the most beloved and acclaimed romantic comedies ever made, Audrey Tatou plays a naive Montmartre waitress who performs random acts of kindness for others, but privately leads a lonely, melancholic life bereft of love.
30 Mar Sat / 2024
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Amélie (Le fabuleux destin d’Amélie Poulain)
7 p.m.—9 p.m.In one of the most beloved and acclaimed romantic comedies ever made, Audrey Tatou plays a naive Montmartre waitress who performs random acts of kindness for others, but privately leads a lonely, melancholic life bereft of love.
31 Mar Sun / 2024
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Amélie (Le fabuleux destin d’Amélie Poulain)
5 p.m.—7 p.m.In one of the most beloved and acclaimed romantic comedies ever made, Audrey Tatou plays a naive Montmartre waitress who performs random acts of kindness for others, but privately leads a lonely, melancholic life bereft of love.