151 Results within Brazilian × British × English or American × Argentinean × Italian × English ×

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  1. Thomas Rowlandson
    British, 1756–1827
    Dr. Syntax Preaching

    1811
    Aquatint etching with hand-coloring
    B.76.196.1
  2. Thomas Rowlandson
    British, 1756–1827
    Dr. Syntax Visits a Boarding School for Young Ladies.

    1811
    Aquatint etching with hand-coloring
    B.76.196.2
  3. Charles Williams
    British, 1797–1830
    Implements Animated, Plate 2, Dedicated to the Housemaids and Cooks of the United Kingdoms

    September 1811
    Etching with hand coloring
    75.122
  4. Charles Williams
    British, 1797–1830
    Implements Animated

    no date
    Etching with hand-coloring
    75.123
  5. Captain Simon Hehl
    British, active 1814–1818
    The New German Waltz

    early 19th century
    Etching with hand-coloring
    75.130
  6. British
    A Scene from Don Giovanni

    1820
    Etching with hand-coloring
    75.131
  7. British
    A Midsummer Night's Dream

    1812
    Lithograph
    75.132
  8. Charles Williams
    British, 1797–1830
    The Milan Garland, or Revels round the Vice Post

    1820
    Lithograph
    75.133
  9. British
    A New Italian Farce

    1820
    Etching with hand-coloring
    75.134
  10. British
    Opening the Green Bag

    1820
    Etching with hand-coloring
    75.135
  11. Charles Williams
    British, 1797–1830
    A Peep Into the Green Bag—Now on Both Houses of Parliament

    1820
    Etching with hand-coloring
    75.136
  12. John Martin
    British, 1789–1854
    Adam Hearing the Voice of the Almighty, Book 10, Line 108

    1824–1827
    Mezzotint
    75.461.1
  13. John Martin
    British, 1789–1854
    Pandemonium, Book 1, Line 710

    1824–1827
    Mezzotint
    75.461.2
  14. John Martin
    British, 1789–1854
    Paradise--Adam and Eve--the Morning Hymn, Book 5, Line 136

    1824–1827
    Mezzotint
    75.461.3
  15. John Martin
    British, 1789–1854
    Heaven-the Rivers of Bliss ..., Book 11, Line 78

    1824–1827
    Mezzotint
    75.461.4
  16. John Martin
    British, 1789–1854
    The Creation of Light, Book 7, Line 339

    1824–1827
    Mezzotint
    75.461.5
  17. John Martin
    British, 1789–1854
    The Angels Guarding Paradise at Night, Book 4, Line 886

    1824–1827
    Mezzotint
    75.461.6
  18. John Martin
    British, 1789–1854
    Satan Tempting Eve, Book 9, Line 780

    1824–1827
    Mezzotint
    75.461.7
  19. John Martin
    British, 1789–1854
    Raphael Conversing with Adam and Eve, Book 5, Line 519

    1824–1827
    Mezzotint
    75.461.8
  20. John Martin
    British, 1789–1854
    Satan and the Fallen Angels, Book 1, Line 314

    1824–1827
    Mezzotint and roulette on wove paper
    75.461.9
  21. John Martin
    British, 1789–1854
    Approach of the Archangel Michael, Book 11, Line 226

    1824–1827
    Mezzotint
    75.461.10
  22. John Martin
    British, 1789–1854
    Bridge of Chaos, Book 10, Lines 312 to 347

    1824–1827
    Mezzotint
    75.461.11
  23. John Martin
    British, 1789–1854
    Satan Viewing the Ascent to Heaven, Book 3, Line 301

    1824–1827
    Mezzotint and roulette on wove paper
    75.461.12
  24. John Martin
    British, 1789–1854
    Satan Contemplating and Eve in Paradise, Book 4, Line 502

    1824–1827
    Mezzotint
    75.461.13
  25. John Martin
    British, 1789–1854
    The Fall of the Rebel Angels

    1824–1827
    Mezzotint and roulette with engraving on wove paper
    75.461.14
  26. John Martin
    British, 1789–1854
    Eve's Dream—Satan Aroused, Book 4, Line 878

    1824–1827
    Mezzotint
    75.461.15
  27. John Martin
    British, 1789–1854
    Seventh Plague

    1824, published 1833
    Mezzotint
    75.836
  28. Francis Bedford
    English, 1815–1894
    Clovelly, Entrance to the Village from Pier

    c. 1870
    Albumen silver print from glass negative
    80.110
  29. Francis Frith
    English, 1822–1898
    Egypt, Nubia, and Ethiopia

    1862
    Book of albumen prints, stereographs
    84.349
  30. Maull & Polyblank
    British, active 1854 - c. 1866
    George Clarkson Stanfield

    c. 1860
    Albumen silver print from glass negative
    86.131

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