The Adolpho Leirner Collection of Brazilian Constructive Art Related ICAA documents: Vera Pedrosa Martins de Alemeida, "L'homme est le centre = O homem é o centro [consultado]," 1998 (record ID 1110692) Monica Amor, "From Work to Frame, In-between, and Beyond : Lygia Clark's and Hélio Oiticica's work 1959-1964," 2010 (record ID 1281344) Guy Brett, [Letter to Adolpho Leirner], 1988 (record ID 1232349) Guy Brett, “Lygia Clark: In Search of the Body,” 1994 (record ID 1232526) Lygia Clark, "1968:Somos domésticos?," 1980 (record ID 1110516) Jean Clay, “Lygia Clark: Ongoing Fusion — 1968,” 1992 (record ID 1232614) Ferreira Gullar, "Do quadro ao não objeto," 1960 (record ID 1091272) Jayme Mauricio, II Brasile: Alla XXXIV Biennale Di Venezia, exh. cat., 1968 (record ID 1232444) David Medalla, ed., “Lygia Clark at Signals London, 27th May to 3rd July,” 1965 (record ID 1232662) Frederico Morais, "Contra a arte afluente : o corpo é o motor da "obra"," 1970 (record ID 1110685)

Cataloguing data may change with further research.

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Lygia Clark, Brazilian, 1920–1988
Planos em superfície modulada no. 5
Planes on a Modulated Surface No. 5
Alkyd and nitrocellulose paint on plywood
31 3/8 × 27 9/16 in. (79.8 × 70 cm)
Credit Line

The Adolpho Leirner Collection of Brazilian Constructive Art, museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund

Current Location
Not on view
Accession Number
Adolpho Leirner Collection of Brazilian Constructive Art

The artist; Bruno Mussatti, São Paulo; Adolpho Leirner, 1984; sold to MFAH, 2007.