The young woman in this painting by Orazio Gentileschi has been identified by scholars as the artist's daughter, Artemisia Gentileschi. A renowned painter herself, she trained in her father's workshop and established a European reputation that allowed her a life of independence rare for a woman of her day. One of the most important followers of Michelangelo Merisi da Caravaggio (1571/72–1610), Orazio Gentileschi combined a refined and elegant personal manner with Caravaggio's powerful sense of realism. In this painting, the identification of Artemisia as a Sibyl—defined in ancient Greek literature and legend as a woman with the gift of prophecy—may be based on what happened during the trial of Roman artist Agostino Tassi, whom she accused of rape. She voluntarily submitted to a torture called the sibyls, which involved a device consisting of metal rings that were tightened about the fingers by a set of cords to determine the truth. The view of the sibyl and her upturned head are typical features of Orazio Gentileschi's heroines, and the rendering of her sumptuous orange brocade drapery anticipates the increased elegance of his later painting. His precociously gifted daughter possessed a formidable personality, and she became not only one of the greatest of Caravaggesque painters but also a heroine to feminist art historians.


Cataloguing data may change with further research.

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Artist
Orazio Gentileschi, Italian (Florentine), 1563–1639
Title
Portrait of a Young Woman as a Sibyl
Date
c. 1620
Medium
Oil on canvas
Dimensions
32 1/8 × 28 3/4 in. (81.6 × 73 cm) Frame: 40 1/2 × 37 × 3 1/8 in. (102.9 × 94 × 8 cm)
Credit Line

The Samuel H. Kress Collection

Current Location
The Audrey Jones Beck Building
203 CRANE GALLERY
Accession Number
61.74
Classification
Painting
Provenance

English private collection; [Christie's, London, June 22, 1951, no. 88, as Artemisia Gentileschi]; purchased by Jeffery Tooth; [David M. Koetser Gallery, New York by 1953]; Samuel H. Kress Collection, New York, 1953; gift of the Kress Foundation to MFAH, 1961.