"Painting is done to decorate walls. So it should be as rich as possible. For me a picture . . . should be something likeable, joyous, and pretty—yes, pretty." —Pierre-Auguste Renoir In this complex arrangement of luxurious objects, Pierre-Auguste Renoir has created a work that is both pleasing and intriguing. With his characteristically delicate touch, the Impressionist master evokes rich textures in a sumptuous color harmony of umber, yellow, red, and white. Not surprisingly, Renoir's favorite painters were Francois Boucher and Jean-Honorè Fragonard, 18th-century artists who specialized in pretty paintings produced for an audience that was concerned, above all, with pleasure. The most directly referenced influence in Still Life with Bouquet, however, is the tradition of Realism that édouard Manet was so thrillingly reviewing at the time. The print hanging on the wall is Manet's etched reproduction of Little Cavaliers by the 17th-century Spanish master of Realism, Diego Velazquez.

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Pierre-Auguste Renoir, French, 1841–1919
Still Life with Bouquet
Oil on canvas
Overall: 29 × 23 1/4 × 1 1/4 in. (73.7 × 59.1 × 3.2 cm)
Credit Line

The Robert Lee Blaffer Memorial Collection, gift of Sarah Campbell Blaffer

Current Location
Not on view
Accession Number

[Bernheim-Jeune, Paris, no. 8447]; [Ambroise Vollard, Paris, until 1935]; [Gaston Bernheim de Villers, Paris]; [Bignou Gallery, New York, from c. 1941–May 16, 1946]; [M. Knoedler & Co., New York, 1946-1948]; purchased by Mrs. Robert Lee (Sarah Campbell) Blaffer, Houston, October 1, 1948; the Robert Lee Blaffer Memorial Collection; given to the MFAH by Sarah Campbell Blaffer, 1951.