On View This Fall at the Nancy and Rich Kinder Building: Simone Leigh’s Iconic “Satellite,” Newly Completed for the MFAH; New Modern and Contemporary Exhibitions
Rendering of Simone Leigh, Satellite, 2022, as it will be installed in front of the Nancy and Rich Kinder Building at the Museum of Fine Arts, Houston; created for the MFAH by Katie O’Hara.
Simone Leigh, Satellite, 2022, courtesy of the artist and Matthew Marks Gallery, photograph by Timothy Schenck. © Simone Leigh
Teresita Fernández, Caribbean Cosmos, 2022, glazed ceramic mosaic tiles on three panels, the Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund, courtesy of the artist and Lehmann Maupin, New York, Hong Kong, Seoul, and London; Photography: Eva Herzog. © Teresita Fernández
DRIFT, Fragile Future 3.14, designed 2015, made 2018, dandelion seed, phosphorus bronze, LED, and Perspex, the Museum of Fine Arts, Houston, Museum purchase funded by the Design Council, 2018. © 2015 DRIFT
Michael Armitage, Dead Soldiers, 2022, oil on Lubugo bark cloth, the Museum of Fine Arts, Houston, Museum purchase funded by Christen Sveaas, photograph by David Westwood, courtesy of White Cube, London. © Michael Armitage.
Ron Nagle, The Puddle of Love, from the series Snuff Bottles, 2003, porcelain, the Museum of Fine Arts, Houston, Garth Clark and Mark Del Vecchio Collection, Museum purchase funded by the Schissler Foundation. © Ron Nagle
Designed by Karl Emmanuel Martin (Kem) Weber; manufactured by Airline Chair Co., Airline Chair, designed 1934, manufactured c. 1939, birch, ash, and oil cloth, the Museum of Fine Arts, Houston, Museum purchase funded by J. Brian and Varina Eby, by exchange.
Julia Margaret Cameron, Christabel, from the album Mrs. Cameron’s Photographs from the Life, 1866, assembled 1869, albumen silver print from glass negative, the Museum of Fine Arts, Houston, Museum purchase.
Henri de Toulouse-Lautrec, Le Jockey (The Jockey), 1899, lithograph in colors on wove paper, the Museum of Fine Arts, Houston, Museum purchase funded by “One Great Night in November, 1992.”
A Houston edition of Leigh’s 2022 signature work from the 59th Venice Biennale, Satellite enters the MFAH collection and will be sited in front of the Kinder Building
“Contested Landscapes,” “Hidden Histories,” and “Love Languages” are the second suite of thematic exhibitions for the Kinder Building
Galleries devoted to Decorative Arts, Craft, and Design; Photography; and Prints and Drawings present new displays, as well
HOUSTON–August 9, 2023—Simone Leigh’s towering, 24-foot-high Satellite (2022), an edition for Houston of the artist’s signature work from the 59th Venice Biennale, will be installed in front of the Nancy and Rich Kinder Building for modern and contemporary art in October.
Satellite was the centerpiece of the artist’s project for the American Pavilion in Venice, epitomizing her exploration of the Black female figure through bronze and aligning closely to her vessels, which symbolize and honor Black women. The piece will be sited adjacent to Cristina Iglesias’s water sculpture Inner Landscape (2020), at the entrance to the Kinder Building.
In addition, a suite of three thematic exhibitions drawn from the MFAH collections of modern and contemporary art will be on view beginning September 2. This is the second series curated for the third floor of the Kinder Building, which opened in November 2020. Encompassing painting, sculpture, and photography; prints and drawings; and decorative arts, craft, and design, the three exhibitions delve into these exceptional collections to address environmental, social, and political themes.
Gary Tinterow, Director and Margaret Alkek Williams Chair of the MFAH, commented, “When, at the opening of last year’s Venice Biennale, I inquired about the availability of Simone Leigh’s Satellite, I was thrilled to learn that the artist would have a cast made specifically for Houston. Now that the bronze has been released by the foundry, I am delighted to announce the installation of this powerful work, which I am certain will become an iconic presence in front of the Kinder Building. It is an honor to have Simone Leigh represented at the Sarofim Campus, where her work will be in the company of recent monumental works by Ai Weiwei, El Anatsui, Carlos Cruz-Diez, Byung Hoon Choi, Ólafur Elíasson, and Cristina Iglesias.”
He added, “When the Nancy and Rich Kinder Building opened in November 2020, we considered it a triumph—not only for completing the Fayez S. Sarofim campus during the pandemic but for allowing us to showcase for our public, for the first time, the incredible depth of our modern and contemporary collections. With just over one million visits to our campuses this past fiscal year, our community appears to agree. The installation of Satellite, and this next series of installations in the Kinder Building, will highlight for our public the strength of our modern and contemporary holdings, the fastest-growing segment of our collection.”
Thematic Exhibitions Address Environmental, Social, and Political Themes
Contested Landscapes brings together a selection of contemporary artworks that reexamine the traditional genre of landscape through an ecological lens. By using diverse materials and innovative techniques, the featured artists, including Teresita Fernández, Richard Long, Radcliffe Bailey, Edward Burtynsky, Kent Dorn, Harry Geffert, Soledad Salamé, Jennifer Trask, Zana Briski, Studio DRIFT, and Dawoud Bey, reshape representations of geography, topography, and the environment to critically examine humans’ interaction with the natural world. In their works, landscapes become contested sites of power, acting as indices of larger cultural concerns, movements, and residual traumas, specifically as issues such as climate change and environmental justice stem from the social, political, and economic motivations of establishing control over geographic territories. Through September 8, 2024. Organized by Rachel Mohl, Assistant Curator, Latin American Art.
Hidden Histories explores the notion of anti-monuments through the work of several generations of artists from Europe, the United States, Asia, Africa, and Latin America who use innovative artistic practices to memorialize aspects of the lives of ordinary citizens or places that have been ignored, sidelined, or deliberately obscured by official accounts. Unlike traditional monuments, these works do not rely on fixed narratives, celebratory gestures, or grandiose materials. Instead, they employ a variety of unconventional means and strategies aimed at encouraging viewers to think critically about the past and its relevance for the present and future. Featured artists include Allora & Calzadilla, Michael Armitage, Paul Briggs, Jamal Cyrus, Gilbert and George, Zhang Huan, Tom Huck, Kahlil Joseph, Anselm Kiefer, Julie Mehretu, Oscar Muñoz, Vincent Valdez, and Adriana Corral, Kukuli Velarde, and Marie Watt. Through September 27, 2025. Organized by Alison de Lima Greene, Isabel Brown Wilson Curator, Modern and Contemporary Art; and Mari Carmen Ramírez, Wortham Curator, Latin American Art.
Love Languages considers how art-making itself is a type of love language, exploring conceptual concerns and narratives beyond reductive perspectives that center eros as the ultimate form of attachment. By engaging the necessity of intimacy in interpersonal and collective relationships, works by artists including Dawoud Bey, Francesco Clemente, Nicole Eisenman, Louis Fratino, Ron Nagle, Anna Park, Joyce J. Scott, Rashod Taylor, and Billie Zangewa offer insights into the question, “How do we prioritize tenderness against debilitating social conditions?” Through September 27, 2025. Organized by Anita N. Bateman, Associate Curator, Modern and Contemporary Art.
New Installations for Departmental Galleries Highlight Recent Acquisitions
Decorative Arts, Craft, and Design In addition to the three thematic exhibitions on the third floor, the galleries on the second floor, which continue to be devoted to the individual departments of Photography, Prints and Drawings, and Decorative Arts, Craft, and Design, are being reinstalled.
This new installation will focus on American Design of the 1920s and 1930s, one of the most creative eras for American design. Some designers responded to the visual delight of the modern city with its towering skyscrapers. Recent developments in transportation, the national obsession with speed, and the technology of streamlining also deeply influenced the designs of this period. In addition, the rise of the industrial design profession during this period forever changed the production of functional design, which placed increasing value on the aesthetics of the object. American Modern, 1920s and 1930s Design highlights furniture and industrial design from the period, including seminal objects by Norman Bel Geddes, Donald Deskey, Paul Frankl, Walter Dorwin Teague, John Vassos, Walter Von Nessen, and K.E.M. Weber. The installation also includes recent acquisitions by Helen Dryden and E. McKnight Kauffer, which will be on view for the first time. Through August 2024. Organized by Cindi Strauss, Sara and Bill Morgan Curator, Department of Decorative Arts.
Photography This new chronological selection of photographs begins with a recently acquired, exceedingly rare, and exceptionally well-preserved daguerreotype by Alphonse Eugène Hubert, Louis Daguerre’s assistant in the days leading up to the announcement of photography’s invention. Another major 19th-century acquisition on view is an album of photographic portraits that Julia Margaret Cameron made for her daughter and son-in-law and that descended in the family until its purchase by the Museum in 2021. A group of pictures by the pioneering Houston photojournalist Caroline Valenta—including a view of July 4, 1949, festivities at the dazzling, new Shamrock Hotel, the legendary Houston locale—caps a section devoted to midcentury female photographers. More recent years are represented by works by Cindy Sherman, Catherine Wagner, Gabriel Orozco, Lebohang Kganye, and many others. The adjacent galleries have large-scale contemporary works by Laurie Simmons, Marilyn Minter, Nan Goldin, Sze Tsung Leong, Chuck Ramirez, and others, as well as a rotating program of video art. Through January 2024. Organized by Malcolm Daniel, Gus and Lyndall Wortham Curator; and Lisa Volpe, Curator, Department of Photography.
Prints and Drawings A suite of independent sections highlights strengths of the Museum’s collection. “Spectacle: Turn-of-the-Century Entertainment,” demonstrates how modern artists responded to the rapid growth of commercial entertainment in the late 1800s and early 1900s in Europe and the United States; “Screen, Ink, Pressure: The Screenprint Surge at Midcentury” exemplifies the flourishing of fine-art screenprinting during the 1960s and 1970s and includes a special focus on the medium’s particular relationship to contemporary social and political movements of that era. Finally, “Paulson Fontaine Press: Prints by Isca Greenfield-Sanders,” spotlights work that the New York–based artist created between 2006 and 2019 at the Berkeley, California, intaglio printmaking studio, which has a reputation for amplifying important, often underrepresented voices in the visual arts. Over the course of her almost two-decade relationship with the studio, Greenfield-Sanders has created prints that merge centuries-old techniques of painting and intaglio printmaking with late-20th-century photography and 21st-century photo scanning and retouching technology. Through January 2024. Organized by Dena Woodall, Curator, Prints and Drawings.
About the Nancy and Rich Kinder Building
Dedicated for the display of the Museum’s outstanding and fast-growing international collections of modern and contemporary art, the Kinder Building completed the decade-long expansion and enhancement of the Museum’s Susan and Fayez S. Sarofim Campus when it opened in November 2020. Designed by Steven Holl Architects, the 237,000-square-foot building has three floors of galleries, with additional exhibition space and a theater on its lower level. Placed in and around the Kinder Building are major site-specific commissioned works by eight international artists: El Anatsui, Byung Hoon Choi, Carlos Cruz-Diez, Ólafur Elíasson, Trenton Doyle Hancock, Cristina Iglesias, Jason Salavon, and Ai Weiwei.
About the Museum of Fine Arts, Houston
Spanning 14 acres in the heart of Houston’s Museum District, the Fayez S. Sarofim Campus of the MFAH comprises the Audrey Jones Beck Building, the Caroline Wiess Law Building, the Nancy and Rich Kinder Building, and the Lillie and Hugh Roy Cullen Sculpture Garden. Nearby, two house museums—Bayou Bend Collection and Gardens, and Rienzi—present collections of American and European decorative arts. The MFAH is also home to the Glassell School of Art, with its Core Residency Program and Junior and Studio schools; and the International Center for the Arts of the Americas (ICAA), a leading research institute for 20th-century Latin American and Latino art.
Media Contact
Melanie Fahey, Senior Publicist
mfahey@mfah.org | 713.398.1136