Yilmaz Güney: Turkish Legend
A master of startling imagery, vigorous storytelling, and political commitment, Yilmaz Güney (1931–1984) is a legendary figure in Turkish cinema and undoubtedly the best-known and most controversial filmmaker the country has produced to date. While pursuing degrees in law and economics, Güney made a name for himself as a talented writer of fiction whose political outspokenness landed him briefly in prison. After becoming a comedic star, Güney founded his own production company in the 1960s just as Turkey was experiencing political unrest. Imprisoned for the murder of a right-wing judge—the facts of which remain obscure and controversial—Güney completed three scripts which resulted in 1978’s The Herd and 1982’s Yol (Palme d’Or winner at the Cannes International Film Festival) before escaping prison in 1981. Often compared to Pier Paolo Pasolini, the two filmmakers were both controversial political figures before they directed films and tragically died in their mid-50s at the height of their fame. The series continues April 6–7.
Thanks to Erju Ackman (freelance film programmer) and David Pendleton (Harvard Film Archive). Film descriptions courtesy of Harvard Film Archive.
Past Films in This Series
Umut
1970, in Turkish with English subtitles
Directed by Serif Gören and Yilmaz Güney
Güney stars as Cabbar, an impoverished cart driver in Adana who dreams ceaselessly and fruitlessly of a better life for his family. Rejecting the invitation to join some of his fellow workers as they begin to plan for political action, Cabbar seeks improbable escape from his declining fortunes, first in the lottery and then in rumors of buried treasure. The downward trajectory of Güney’s hopeless dreamer is matched by the film’s shift from neo-realist drama to absurdist existential parable and ...
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1982, in Turkish and Kurdish with English subtitles
Directed by Serif Gören and Yilmaz Güney
30th Anniversary Screening Yol remains Güney’s best-known and celebrated film. One of his darkest films, Yol offers an important summation of Güney’s cinema with its tale of a group of released prisoners. Ironically, their release is only temporary and may not even be a blessing, for they return home only to find themselves as imprisoned as when they were in jail. Yol makes clear that life in Turkey under military rule was itself a kind of Kafkaesque prison, with prisoners their own ...
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Seyit Han
1968, in Turkish with English subtitles
Directed by Yilmaz Güney
In this rural revenge drama, Güney plays Seyit Han, a poor man in love with a woman from his Anatolian village who returns his affection. Seyit Han postpones their marriage so that he can make his fortune elsewhere and return to the village to claim his "bride of the earth." During his prolonged absence, a rich landowner begins to woo the lonely woman, and her brother, intent upon making this propitious wedding happen, spreads the rumor that Seyit Han has ...
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Süru
1978, in Turkish with English subtitles
Directed by Zeki Ökten
Winner of the British Film Institute award and the Golden Leopard (Grand Prize) at the Locarno Film Festival, The Herd has become a classic of world cinema. Ironically, though co-directed by Güney's collaborator Zeki Ökten, the film vies with Yol as Güney's best known and "most cinematically beautiful" (Festival of Festivals) work. (Güney wrote it in prison, and sources vary as to how much he was involved in its direction.) An austerely beautiful neorealist epic, The Herd portrays a Kurdish ...
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