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Robert Frank Collection
Since 1986, the MFAH has served as the archive and distributor of film and video by the internationally renowned photographer and filmmaker Robert Frank.
The Swiss-born American artist first gained critical acclaim in 1958 with his book The Americans, for which he traveled the United States photographing people and landscapes.
In 1959 Frank turned to filmmaking as a method of capturing the narratives that he could not express in still images. Of this transition, Frank said, "I think I became more occupied with my own life, with my own situation, instead of traveling and looking at the cities and landscape. And I think that brought me to move away from the single image, and begin to film, where I had to tell a story." His first film, Pull My Daisy (co-directed with Alfred Leslie), is cited as one of the most influential works of avant-garde independent film and as the beginning of the New American Cinema.
In 1996 Mr. Frank received the prestigious Erna and Victor Hasselblad Foundation award for his acclaimed career. The Hasselblad Center, honoring the inventor of the Hasselblad camera, is devoted to photography and is part of the Göteborg Museum of Art in Götaplatsen, Sweden. The award was given in conjunction with the opening of Mr. Frank’s exhibition of photographs, Flamingo, at the Göteborg museum. The MFAH owns more than 300 of Mr. Frank’s photographs.
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Images from the Robert Frank/Alfred Leslie film
Pull My Daisy, 1959
 view a list of available Robert Frank films
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Another honor was bestowed upon Mr. Frank in 1996: Pull My Daisy was named by the Library of Congress to its National Film Registry. The Library of Congress annually adds films of historic and aesthetic importance to the registry to celebrate film’s legacy and to encourage cinematic preservation. In May 1998, Robert Frank was also honored with a Persistence of Vision award from the San Francisco International Film Festival, where the re-edited version of Me and My Brother premiered.
In addition to preserving and restoring Robert Frank’s landmark films and videos, the MFAH is dedicated to making them accessible to other institutions. There are 20 titles available in the circulating collection. The museum also maintains a research and study collection of materials about Robert Frank that is available to scholars.
Among the most recent accolades received by Frank was the MacDowell Colony award in 2002. His exhibition Hold Still: Keep Going toured to museums in Europe and Canada from 2000-2002.
To order, please contact:
Film Department
The Museum of Fine Arts, Houston
1001 Bissonnet
Houston, TX 77005 USA
Robert Frank Circulating Collection
Available Titles
Pull My Daisy
1959, b/w, 28 min.
16mm for rental
AVAILABLE FOR PURCHASE ON VIDEO! $40 retail/$200 institutional
G-String Enterprises: Robert Frank, Alfred Leslie, Directors; Walter Gutman, Producer; Jack Kerouac, Writer; Robert Frank, Alfred Leslie, Director of Photography; Leon Prochnik, Robert Frank, Alfred Leslie, Editors; with Richard Bellamy, Allen Ginsberg, Peter Orlovsky, Gregory Corso, Larry Rivers, Delphine Seyrig, David Amram, Alice Neel, Sally Gross, Denise Parker, Pablo Frank.
Pull My Daisy is a classic look at the soul of the beat generation, made with writers Jack Kerouac and Allen Ginsberg, and painters Alfred Leslie, Larry Rivers, and Alice Neel. It was written and narrated by Kerouac, based on his unproduced play The Beat Generation. It tells the story of a bishop (Richard Bellamy) and his mother (Alice Neel) who pay a visit to Milo, a railroad worker. At the same time his poet friends, Ginsberg, Peter Orlovsky, and Gregory Corso, hang around quizzing the bishop about the meaning of life and its everyday relationship to art and poetry. Pull My Daisy is recognized as one of the most important works of avant-garde cinema.
The Sin of Jesus
1961, b/w, 40 min.
35mm for rental
Robert Frank's second film is one of his most stylized, indicating Frank's increasingly sophisticated cinematographic eye. In this bleak, Bergmanesque parable, Jesus refuses mercy to a young woman, instead giving her a guardian angel that she seduces.
O. K. End Here
1963, b/w, 30 min.
35mm for rental
September 20 Productions: Robert Frank, Director; Edwin Gregson, Producer; Marion Magid, Writer; Gert Berliner, Director of Photography; Aram Avakian, Editor; with Martino La Salle, Sue Ungaro, Sudie Bond, Anita Ellis, Joseph Bird.
O. K. End Here is about a day in the lives of a man and woman who live together in New York City. It is Sunday, a day without the distractions that keep people from facing each other and themselves. O. K. End Here won the grand prize at the 1963 Bergamo Film Festival.
Me and My Brother
1965-68 (re-edited 1997), b/w and color, 91 min.
35mm for rental
A Two Faces Company Production: Robert Frank, Director, Photography; Helen Silverstein, Producer; Robert Frank, Sam Shepard, Writers; Robert Frank, Helen Silverstein, Bob Easton, Lynn Ratener, Editors; with Julius Orlovsky, Joseph Chaikin, Christopher Walken, John Coe, Allen Ginsberg, Peter Orlovsky, Virginia Kiser, Nancy Fish, Cynthia McAdams, Roscoe Lee Browne, Seth Allen, Gregory Corso.
Me and My Brother, Frank's first feature length film, places documentary footage of poets Allen Ginsberg, Peter Orlovsky, and Peter's brother Julius within a fictional framework. Constantly delineating real and imaginary situations and moving back and forth between color and black and white, the film describes the inner and outer worlds of Julius, a catatonic, who silently observes the world around him. The film was re-edited in 1997 to mark the passing of Allen Ginsberg and also features the late Joseph Chaikin, founder of the revolutionary Off-Broadway company, Open Theater.
Conversations in Vermont
1969, b/w, 26 min.
16mm for rental
video for rental
Dielexi Foundation: Robert Frank, Director, Producer, Writer, Sound, Editor; Ralph Gibson, Photography; with Robert Frank, Pablo Frank, Andrea Frank, Mary Frank.
Conversations in Vermont is about Robert Frank's relationship with his children Pablo and Andrea. Photographed by Ralph Gibson, it is his first overtly autobiographical film. He follows his children to school in Vermont and interviews them about their feelings, their upbringing and what it was like to grow up in a bohemian world with artists as parents. In searching for answers about his children's lives, Frank is questioning his own world.
Life-raft Earth
1969, color, 37 min.
16mm for rental
Portola Institute: Robert Frank, Director, Photography; Stewart Brand and Hugh Romney, Producers; Danny Lyon, Sound; with Hugh Romney, Stewart Brand.
Whole Earth Catalog editor Stewart Brand and his friend Hugh Romney (Wavy Gravy) asked Robert Frank to document "The Hunger show," a week-long fast staged by the Portola Institute in California. This was a "happening" designed to make the problem of world hunger and malnutrition a personal matter for participants and observers. The film records the event which took place from October 11 to October 18, 1969 in a parking lot in Hayward.
About Me: A Musical
1971, b/w, 35 min.
16mm for rental
American Film Institute: Robert Frank, Director, Producer, Writer, Editor; Danny Seymour, Photography; Robert McNamara, Sound; with Lynn Reyner, Jaime deCarlo, Totts, Robert Schlee, Sheila Pavlo, Bill Hart, Vera Cochran, Sidney Kaplan, June Leaf, Allen Ginsberg, Hugh Romney, Danny Lyon.
About Me: A Musical was planned as a cinematic study of indigenous American music. Robert Frank decided instead to make the film about himself. An actress (Lynn Reyner) plays Frank. He examines his life symbolically, questioning the personal toll his work has taken and the value of his contribution as a photographer. His search for freedom is represented by the music.
Life Dances On
1980, b/w and color, 30 min.
16mm for rental
Robert Frank, Director, Producer; Robert Frank, Gary Hill, Danny Seymour, Photography, Sound; Gary Hill, Editor; with Pablo Frank, Sandy Strawbridge, June Leaf, Marty Greenbaum, Finley Fryer, Billy.
Life Dances On is Robert Frank's most personal and emotional work because it deals directly with his family and close friends. The film is dedicated to his daughter Andrea and to his friend and collaborator Danny Seymour, both deceased. Life Dances On is composed of delicately balanced, intuitive moments that merge Frank's own sense of loss for two people close to him with several filmed portraits of those who share his life, including his family and people on the street in New York City.
Energy and How to Get It
1981, b/w, 28 min.
16mm for rental
Corporation for Public Broadcasting Anthropology Film Series: Robert Frank, Rudy Wurlitzer, Gary Hill, Directors, Producers; Rudy Wurlitzer, Writer; Robert Frank, Gary Hill, Photography; Leanne Ungeer, John Knoop, Sound; Gary Hill, Editor; with Robert Golka, Agnes Moon, William Burroughs, Robert Downey, Rudy Wurlitzer, John Giorrio, Lynne Adams, Alan Moyle, Dr. John, Libby Titus.
Filmed in Wendover, Nevada, in early 1981, Energy and How to Get It combines documentary and fictional ideas. What began as a documentary film about Robert Golka, an engineer who was experimenting with ball lightening and the development of fusion as an energy force, was turned into a spoof on the documentary form, inserting fictional characters into the story such as the Energy Czar (William Burroughs), and a Hollywood agent (filmmaker Robert Downey).
Keep Busy
1975, b/w, 30 min.
16mm for rental
Canada Council: Robert Frank, and Rudy Wurlitzer, Directors, Producers; Rudy Wurlitzer, Writer; Robert Frank, Photography; Charles Dean, Sound; with June Leaf, Joanne Akolitis, Richard Serra, Joan Jonas.
Keep Busy is a spontaneous, improvised story about a group of people living on an island off Nova Scotia. Obsessed with daily aspects of their lives and the cycles of nature, the group is subjugated by a lighthouse keeper and his messenger, who have access to the only radio and therefore control the news.
Home Improvements
1985, color, 29 min.
video for rental
Robert Frank, Director, Producer, Photography, Sound; Michael Bianchi and Sam Edwards, Editors; with Robert Frank, June Leaf, Pablo Frank, Gunther Moses.
Home Improvements, Robert Frank's first video project, is a simple and poignant diary of consequential events. It is about the relationship between Frank's life as an artist and his personal life, and how the two are inevitably intertwined. It was made cheaply with a half-inch video porta-pak. Home Improvements takes place in New York and Nova Scotia and in the mental space between these two opposing worlds.
Fire in the East: A Portrait of Robert Frank
1986, color, 28 min.
video for sale - $24.95
The Museum of Fine Arts, Houston and KUHT-Public Television, Houston; Philip Brookman and Amy Brookman, Directors, Writers, Editors; Anne Wilkes Tucker and Paul Yeager, Producers; Babette Mangolte, Director of Photography; Paul Yeager, Sound; with Robert Frank, Allen Ginsberg, Rudy Wurlitzer, Emile de Antonio, Jonas Mekas, Duane Michals, Louis Faurer, Elliot Erwitt, Ed Grazda, June Leaf, John Szarkowski, Lou Silverstein, Walter Gutman.
Fire in the East: A Portrait of Robert Frank presents an intimate view of four decades of Frank's life, films, and photographs. Many people with whom he has worked in the past are interviewed, including Allen Ginsberg, Emile de Antonio, Jonas Mekas, and Rudy Wurlitzer. Frank's current thoughts on his life and art are also revealed.
Hunter
1989, b/w and color, 36 min.
16mm for rental B
Kulturstiftung Ruhr/Kinemathek im Ruhrgebiet: Robert Frank, Director; Stephan Balint, Writer; Clemens Steiger, Director of Photography; Jolie Gorchov, Editor; with Stephan Balint, Gunter Burchert.
In the words of Robert Frank, "This is about a man whose destiny is -- not to find a destination. . . . A man who fears that he will never find what his imagination compels him to look for, a mystical traveler going by train and by car through . . . language and landscape." The film was shot entirely on location in Germany's industrial Ruhr region in September/October 1989 and is in German, Turkish, and English (with English titles where appropriate).
Print courtesy of Alfred C. Glassell III in honor of Alfred C. Glassell, Jr.
C'est Vrai
1990, color, 60 min.
video for rental
La Sept, Prony Productions, Paris: Robert Frank, Director, Camera, Screenplay; Philippe Grandrieux, Producer; Michal Rovner, Assistant Director, Screenplay; Jerry Poynton, Assistant Producer; Dialogue in Diner, Mika Moses; Lines of Peter Orlovsky, total improvisation; with Kevin O'Connor, Peter Orlovsky, Taylor Mead, Jim, Odessa Taft.
A one-hour trip through New York City's lower-east side, produced on video for French television without editing the narrative. It presents a startling juxtaposition of scripted fiction which appears to be drawn from real life and improvised documentation that overlays the story when Peter Orlovsky arrives to confront the filmmaker.
Last Supper
1992, color, 52 min.
16mm for rental
Vega Film AG and World Wide International TV/BBC: Robert Frank, Director, Camera, Screenplay; Ruth Waldburger and Martin Rosenbaum, Producers; Sam North, Michal Rovner, Screenplay; Jay Rabinow, Editor; with Zohra Lampert, Bill Youmans, Bill Rice, Taylor Mead, John Larkin, Odessa Taft.
In an empty lot in Harlem, an elite group of New Yorkers prepares for a book-signing party given in honor of a writer who never shows up. Local residents, dealing with the practicality of life, look on as the guests obsess about identity, status, and success. Finally, the writer's fears and doubts are understood, with ironic implications.
The Present
1996, 24 min.
35mm for rental
Simple objects, photographs, and events prompt Frank to self-conscious rumination. From his homes in New York and Nova Scotia and on visits to friends, the artist contemplates his relationships, the anniversary of his daughter's death, his son's mental illness, and his work.
Flamingo
1997, 7 min.
video for rental
Frank's poetic diary (with voiceover narration) recording the construction of a new foundation for his house in a remote area of Cape Breton, Nova Scotia; it silently describes the need to keep working in the face of nature and time.
I Remember
1998, color, 5 min.
Frank narrates a charming re-enactment of his visit to the home of Alfred Stieglitz. The cast comprises June Leaf as Georgia O'Keeffe, artist Jerome Sother as Robert Frank, and Frank himself in the role of Stieglitz.
Sanyu
1999, 27 min.
Sanyu (1901-1964), an important Chinese artist, was a friend of Robert Frank's who died in anonymity in Paris. In this film portrait, Frank creates a requiem that includes dramatic and documentary scenes set in Paris, and a chronicle of his trip to Taipei to attend Sotheby's auction of the paintings Sanyu left him.
Paper Route
2002, 23 min.
The artist joins Robert MacMillan on a wintry, pre-dawn morning and accompanies him on his daily route delivering newspapers to towns in the rural Nova Scotia community where Frank has had a second home for many years. Chatting amiably in voiceover as his camera observes the landscape and MacMillan's encounters with his customers, Frank conducts a rambling interview inspired by his own desire to better understand how people live their lives.
True Story
2004, 26 min, color and b&w
Editor: Laura Israel; Sound mix: Laki Fotopoulos; Online: Steve Covello; Photograph of Louis Faurer by Suzuki Risaku; Mr. Motomura in Mabou filmed by Yuichi Hibi; Albano Pereira reads from Neuf Paris #8, 1952; Voice of Nancy Fish from Frank's film Me and My Brother (1965-68)
Frank's most recent film premiered in October 2004 at the exhibition ROBERT FRANK STORY LINES at the Tate Modern, London. Speaking in voiceover, the artist narrates scenes shot in his homes in New York and Nova Scotia. His rambling commentary returns to familiar themes of memory, and the loss of friends and family members. Brief excerpts from earlier films are shown, along with Frank's photographs, the art of his wife, June Leaf, and extraordinarily detailed letters written by his son, Pablo (1951- 1994). Alternately poignant, reflective, self-mocking and angry, this candid autobiography reveals Frank's late career preoccupations.
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