30th Anniversary Screening

Yol remains Güney’s best-known and celebrated film. One of his darkest films, Yol offers an important summation of Güney’s cinema with its tale of a group of released prisoners. Ironically, their release is only temporary and may not even be a blessing, for they return home only to find themselves as imprisoned as when they were in jail. Yol makes clear that life in Turkey under military rule was itself a kind of Kafkaesque prison, with prisoners their own jailers, keeping each other in check through despotic families and constricting social mores—trapped between fascism and what Güney called “the moral debris left behind by feudalism and patriarchy.”