Presented by Shimatani Hiroyuki, vice executive director, Tokyo National Museum; with live translation by Kito Satomi, senior manager, international relations, Tokyo National Museum

The masterworks of art from the Tokyo National Museum on view in the MFAH exhibition Elegant Perfection exemplify the integral role that Buddhism and imperial court culture played in the development of Japan’s cultural traditions. Buddhist teachings and works of art were introduced to Japan in the sixth century. Their influence on the aesthetic sensibility of every level of Japanese society, from the court to the public, has been immeasurable.

A Japanese aesthetic and culture, known as wayo-, or “Japanese style,” emerged at the imperial court in the mid-10th century—during the Heian period (794–1192)—and eventually spread to the general population. Waka poems and kana characters are prime examples of unique Japanese traditions born at this time. These traditions clearly demonstrate the Japanese people’s capability to adapt, as well as their openness toward other cultural traditions.

In this richly illustrated lecture, Shimatani Hiroyuki discusses masterpieces of Japanese calligraphy such as the Man’yōshu (Furukawa version), a National Treasure of Japan on view in Elegant Perfection, and the evolution of a distinctly Japanese culture. He also demonstrates the technique of Japanese calligraphy, and explains how kana developed out of kanji, or Chinese written characters.

A reception sponsored by the MFAH Friends of Asian Art follows the program.

This lecture is open to the public and free with general museum admission. MFAH Members always receive free admission.