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Posts Tagged paintings, page 1

  1. 14 Jun
    Fri / 2013
    Last summer we blogged about the travels of one Rienzi’s paintings, "The Nativity" by Bartolomé Esteban Murillo. The work journeyed to the Museo Nactional del Prado to be part of the exhibition "Murillo and Justino de Neve. The Art of Friendship." Since then ...

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  2. 16 Oct
    Tue / 2012
    The volume of paintings produced by George Romney in the mid-1770s through the mid-1790s, for the most prestigious members of society, surpassed any other painter at the time.  Although he was a competitor of artists like Sir Joshua Reynolds and Thomas Gainsborough, Romney charged significantly less for a portrait sitting than his Royal Academy counterparts. Also, by making himself accessible to an emerging moneyed class and avoiding lofty political associations, Romney catered...

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  3. 15 Oct
    Mon / 2012
    George Romney was born in 1734 in Dalton-in-Furness, a small town near the scenic Lake District in the northwestern part of England. He was one of 11 children born to Anne Romney and her furniture-maker husband, John. At the age of 10, George was removed from school to apprentice to his father. Although he would later teach himself the history, drama, poetry, and classical literature considered necessary as artistic sources, his technical training as...

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  4. 08 Oct
    Mon / 2012
    George Romney rose from provincial obscurity to become one of the most fashionable portrait painters in 18th-century London. The story of his remarkable rise to fame is a tale that illuminates the debates, concerns, and hopes of artists during a period of momentous change in the British art world. This Sunday, Rienzi opens its fall exhibition, "Visions of Fancy" . . .

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  5. 20 Jul
    Fri / 2012
    In the galleries of the Treasures of Kenwood House exhibition, where carefully poised ladies and gallantly aloof gentlemen are an expression of 18th-century sophistication, one painting stands apart: Two Girls Dressing a Kitten by Candlelight by Joseph Wright of Derby. Extraordinary in both . . .

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