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HÉLIO OITICICA
Vermelho cortando o branco
1958
Oil on canvas
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ANTONIO BERNI
La sordidez (de la serie "Monstruos cósmicos")
c. 1964
Wood, steel, iron, aluminum, cardboard, plastic, roots, nails, and enamel
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GYULA KOSICE
La ciudad hidroespacial (The Hydrospatial City)
1946-72
Acrylic, Plexiglas, paint, and light
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WALDEMAR CORDEIRO
Idéia visível
1956
Wood plastered with paint
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CARLOS CRUZ-DIEZ
Cromosaturación (Chromosaturation)
1965/2004
Three chromo-cubicles (fluorescent light with blue, red, and green filters)
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MIRA SCHENDEL
Variantes
1977
93 monotypes
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DAVID ALFARO SIQUEIROS
Cara de niño (Concentración)
1939
Piroxylene on Masonite
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FRANCISCO MATTO
Venus blanquiazul
c. 1979
Oil on wood
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XUL SOLAR
Jefa (Patroness)
1923
Watercolor on paper, set on cardboard
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Reticulárea
1975
Stainless steel wire
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José GURVICH
Formas en blanco y negro
1959
Oil on board
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DANIEL JOSEPH MARTINEZ
To Make a Blind Man Murder for the Things He's Seen (Happiness Is Over-rated)
2002
Silicon over fiberglass skeleton, animated using computer-controlled pneumatics, digital audio with self-contained sound system
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ROBERTO MATTA
Untitled
1942
Oil on canvas
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Juan Carlos Distéfano
Acción directa III
1998
Reinforced polyester and epoxy resin
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GONZALO FONSECA
Columbarium I
1966
Scaffolding wood, nails, strings, and paint
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Lezart
1989
Iron, copper, magnets, and embroidered silk
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ALFREDO JAAR
The Eyes of Gutete Emerita
1996
100,000 slides, light table, magnifiers, and illuminated wall text
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ANTONIO BERNI
Juanito va a la ciudad (Juanito Goes to the City)
1963
Wood, paint, industrial trash, cardboard, scrap metal, and fabric assemblage on board
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JULIO LE PARC
Continental-lumière mobile
1960–66
Hanging metallic elements and spotlights
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LYGIA CLARK
Bicho (Máquina)
1962
Anodized aluminum
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